Panasonic GH6 vs GH7
The Panasonic Lumix DC-GH6 and the Panasonic Lumix DC-GH7 are two enthusiast cameras that were revealed to the public, respectively, in February 2022 and June 2024. Both the GH6 and the GH7 are mirrorless interchangeable lens cameras that are equipped with a Four Thirds sensor. Both cameras offer a resolution of 25 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.

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Going beyond this snapshot of core features and characteristics, what are the differences between the Panasonic Lumix DC-GH6 and the Panasonic Lumix DC-GH7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Panasonic GH6 and the Panasonic GH7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.



In this particular case, the Panasonic GH6 and the Panasonic GH7 have exactly the same width and height, and, thus, have identically-sized bodies. However, the GH7 is slightly lighter (2 percent) than the GH6. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Micro Four Thirds Lens Catalog. Mirrorless cameras, such as the two under consideration, have the additional advantage of having a short flange to focal plane distance, which makes it possible to mount many lenses from other systems onto the camera via adapters.
The power pack in the GH7 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.

| Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH6 | 138 mm | 100 mm | 100 mm | 823 g | 360 | Y | Feb 2022 | US$ 2 199 | amazon.com | |
| 2. | Panasonic GH7 | 138 mm | 100 mm | 100 mm | 805 g | 380 | Y | Jun 2024 | US$ 2 199 | amazon.com | |
| 3. | Nikon Zf | 144 mm | 103 mm | 49 mm | 710 g | 380 | Y | Sep 2023 | US$ 1 999 | amazon.com | |
| 4. | OM System OM-1 | 135 mm | 92 mm | 73 mm | 599 g | 520 | Y | Feb 2022 | US$ 2 199 | ebay.com | |
| 5. | Panasonic G9 II | 134 mm | 102 mm | 90 mm | 658 g | 390 | Y | Sep 2023 | US$ 1 899 | amazon.com | |
| 6. | Panasonic GH5 | 139 mm | 98 mm | 87 mm | 725 g | 410 | Y | Jan 2017 | US$ 1 999 | ebay.com | |
| 7. | Panasonic GH5 II | 139 mm | 98 mm | 87 mm | 727 g | 400 | Y | May 2021 | US$ 1 699 | amazon.com | |
| 8. | Panasonic GH5s | 139 mm | 98 mm | 87 mm | 660 g | 440 | Y | Jan 2018 | US$ 2 499 | amazon.com | |
| 9. | Panasonic S5 | 133 mm | 98 mm | 82 mm | 714 g | 440 | Y | Sep 2020 | US$ 1 999 | amazon.com | |
| 10. | Panasonic S5 II | 134 mm | 102 mm | 90 mm | 740 g | 370 | Y | Jan 2023 | US$ 1 999 | amazon.com | |
| 11. | Pentax K-3 III | 135 mm | 104 mm | 74 mm | 820 g | 800 | Y | Mar 2021 | US$ 1 999 | amazon.com | |
| Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a Four Thirds sensor and have a format factor (sometimes also referred to as "crop factor") of 2.0. Within the spectrum of camera sensors, this places the review cameras among the medium-sized sensor cameras that aim to strike a balance between image quality and portability. Both cameras feature a native aspect ratio (sensor width to sensor height) of 4:3.

The two cameras under review do not only share the same sensor size, but also offer an identical resolution of 25 megapixels. This similarity in sensor specs implies that both the GH6 and the GH7 have the same pixel density, as well as the same pixel size. It should, however, be noted that the GH7 is much more recent (by 2 years and 3 months) than the GH6, and its sensor will have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that neither of the two cameras has an anti-alias filter installed, so they are able to capture all the detail the sensor resolves.
The GH7 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Both cameras have the capacity to capture high quality composite images by combining multiple shots after shifting the sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Panasonic Lumix DC-GH6 has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-25600. The Panasonic Lumix DC-GH7 offers exactly the same ISO settings.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

| Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH6 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.4 | 1555 | 77 | |
| 2. | Panasonic GH7 | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.6 | 1784 | 78 | |
| 3. | Nikon Zf | Full Frame | 24.3 | 6048 | 4024 | 4K/60p | 25.4 | 14.7 | 3243 | 96 | |
| 4. | OM System OM-1 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.4 | 13.4 | 1553 | 77 | |
| 5. | Panasonic G9 II | Four Thirds | 25.0 | 5776 | 4336 | 5.7K/60p | 23.4 | 13.5 | 1710 | 78 | |
| 6. | Panasonic GH5 | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.9 | 13.0 | 807 | 77 | |
| 7. | Panasonic GH5 II | Four Thirds | 20.2 | 5184 | 3888 | 4K/60p | 23.7 | 13.1 | 1136 | 79 | |
| 8. | Panasonic GH5s | Four Thirds | 9.9 | 3680 | 2700 | 4K/60p | 23.1 | 12.8 | 1154 | 74 | |
| 9. | Panasonic S5 | Full Frame | 24.0 | 6000 | 4000 | 4K/60p | 25.1 | 14.5 | 2697 | 94 | |
| 10. | Panasonic S5 II | Full Frame | 24.0 | 6000 | 4000 | 6K/30p | 25.4 | 14.6 | 3158 | 96 | |
| 11. | Pentax K-3 III | APS-C | 25.6 | 6192 | 4128 | 4K/30p | 24.2 | 13.7 | 2083 | 85 | |
| Note: DXO values in italics represent estimates based on sensor size and age. | |||||||||||
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, and both provide the same movie specifications (5.7K/60p).
Feature comparison
Apart from body and sensor, cameras can and do differ across a variety of features. The GH6 and the GH7 are similar in the sense that both feature an electronic viewfinder, which is helpful when framing images in bright sunlight. Moreover, their viewfinders offer an identical resolution of 3680k dots. The following table reports on some other key feature differences and similarities of the Panasonic GH6, the Panasonic GH7, and comparable cameras.

| Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH6 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 2. | Panasonic GH7 | 3680 | n | 3.0 / 1840 | full-flex | Y | 1/8000s | 14.0/s | n | Y | |
| 3. | Nikon Zf | 3690 | n | 3.2 / 2100 | swivel | Y | 1/8000s | 14.0/s | n | Y | |
| 4. | OM System OM-1 | 5760 | n | 3.0 / 1640 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 5. | Panasonic G9 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
| 6. | Panasonic GH5 | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 7. | Panasonic GH5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
| 8. | Panasonic GH5s | 3680 | n | 3.2 / 1620 | swivel | Y | 1/8000s | 12.0/s | n | n | |
| 9. | Panasonic S5 | 2360 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 7.0/s | n | Y | |
| 10. | Panasonic S5 II | 3680 | n | 3.0 / 1840 | swivel | Y | 1/8000s | 9.0/s | n | Y | |
| 11. | Pentax K-3 III | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 12.0/s | n | Y | |
| Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. | |||||||||||
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, both cameras under consideration feature an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic GH6 and the Panasonic GH7 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the GH6 and the GH7 write their files to CFexpress (type B) or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. Moreover, both the GH6 and the GH7 support UHS-II cards, which provide for Ultra High Speed data transfer of up to 312 MB/s, on both slots.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Panasonic Lumix DC-GH6 and Panasonic Lumix DC-GH7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

| Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH6 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 2. | Panasonic GH7 | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 3. | Nikon Zf | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 4. | OM System OM-1 | Y | stereo / mono | Y | Y | micro | 3.0 | Y | - | Y | |
| 5. | Panasonic G9 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 6. | Panasonic GH5 | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 7. | Panasonic GH5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 8. | Panasonic GH5s | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
| 9. | Panasonic S5 | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y | |
| 10. | Panasonic S5 II | Y | stereo / mono | Y | Y | full | 3.2 | Y | - | Y | |
| 11. | Pentax K-3 III | Y | stereo / mono | Y | Y | micro | 3.2 | Y | - | Y |
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the GH6 and the GH7 are recent models that are part of the current product line-up. The GH6 replaced the earlier Panasonic GH5 II, while the GH7 followed on from the Panasonic GH6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Panasonic website.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Panasonic GH6 or the Panasonic GH7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Panasonic Lumix DC-GH6:
- More heavily discounted: Has been available for much longer (launched in February 2022).
Reasons to prefer the Panasonic Lumix DC-GH7:
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.8x vs 0.76x).
- Easier travel charging: Can be conveniently charged via its USB port.
- More modern: Reflects 2 years and 3 months of technical progress since the GH6 launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GH7 emerges as the winner of the match-up (4 : 1 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Panasonic GH6 and the Panasonic GH7 place the cameras among the top in their class? Find out in the latest Best Mirrorless Interchangeable Lens Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the GH6 or the GH7 perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

| Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price |
Street Price |
||
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Panasonic GH6 | 5/5 | + + | 5/5 | 87/100 | 5/5 | 5/5 | Feb 2022 | US$ 2 199 | amazon.com | |
| 2. | Panasonic GH7 | .. | .. | .. | .. | .. | .. | Jun 2024 | US$ 2 199 | amazon.com | |
| 3. | Nikon Zf | 4.5/5 | .. | 4.5/5 | 90/100 | 4.5/5 | 5/5 | Sep 2023 | US$ 1 999 | amazon.com | |
| 4. | OM System OM-1 | 5/5 | .. | .. | 87/100 | 5/5 | 4.5/5 | Feb 2022 | US$ 2 199 | ebay.com | |
| 5. | Panasonic G9 II | 5/5 | .. | 4.5/5 | 87/100 | .. | 4.5/5 | Sep 2023 | US$ 1 899 | amazon.com | |
| 6. | Panasonic GH5 | 4.5/5 | + + | .. | 85/100 | 4.5/5 | 5/5 | Jan 2017 | US$ 1 999 | ebay.com | |
| 7. | Panasonic GH5 II | 4.5/5 | .. | 4.5/5 | 85/100 | 4.5/5 | 5/5 | May 2021 | US$ 1 699 | amazon.com | |
| 8. | Panasonic GH5s | .. | .. | 4.5/5 | 84/100 | 4.5/5 | 4.5/5 | Jan 2018 | US$ 2 499 | amazon.com | |
| 9. | Panasonic S5 | 4.5/5 | + + | 4.5/5 | 88/100 | 4.5/5 | 4.5/5 | Sep 2020 | US$ 1 999 | amazon.com | |
| 10. | Panasonic S5 II | 4.5/5 | + + | 5/5 | 90/100 | 4.5/5 | 5/5 | Jan 2023 | US$ 1 999 | amazon.com | |
| 11. | Pentax K-3 III | 4/5 | .. | 3/5 | .. | 4.5/5 | .. | Mar 2021 | US$ 1 999 | amazon.com | |
| Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. | |||||||||||
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 5D Mark II vs Panasonic GH7
- Leica M11 vs Panasonic GH7
- Nikon D850 vs Panasonic GH6
- Nikon Z30 vs Panasonic GH6
- Nikon Z50 II vs Panasonic GH7
- Olympus E-PM1 vs Panasonic GH7
- Panasonic FT7 vs Panasonic GH6
- Panasonic G97 vs Panasonic GH7
- Panasonic GH6 vs Panasonic S1R II
- Panasonic GH6 vs Pentax K-3 III
- Panasonic GH6 vs Sony ZV-1 II
- Panasonic GH7 vs Panasonic GX85
Specifications: Panasonic GH6 vs Panasonic GH7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
| Camera Model | Panasonic GH6 | Panasonic GH7 |
|---|---|---|
| Camera Type | Mirrorless system camera | Mirrorless system camera |
| Camera Lens | Micro Four Thirds lenses | Micro Four Thirds lenses |
| Launch Date | February 2022 | June 2024 |
| Launch Price | USD 2,199 | USD 2,199 |
| Sensor Specs | Panasonic GH6 | Panasonic GH7 |
| Sensor Technology | CMOS | CMOS |
| Sensor Format | Four Thirds Sensor | Four Thirds Sensor |
| Sensor Size | 17.3 x 13.0 mm | 17.3 x 13.0 mm |
| Sensor Area | 224.9 mm2 | 224.9 mm2 |
| Sensor Diagonal | 21.6 mm | 21.6 mm |
| Crop Factor | 2.0x | 2.0x |
| Sensor Resolution | 25 Megapixels | 25 Megapixels |
| Image Resolution | 5776 x 4336 pixels | 5776 x 4336 pixels |
| Pixel Pitch | 3.00 μm | 3.00 μm |
| Pixel Density | 11.14 MP/cm2 | 11.14 MP/cm2 |
| Moiré control | no AA filter | no AA filter |
| Movie Capability | 5.7K/60p Video | 5.7K/60p Video |
| ISO Setting | 100 - 25,600 ISO | 100 - 25,600 ISO |
| ISO Boost | 50 - 25,600 ISO | 50 - 25,600 ISO |
| Image Processor | Venus | Venus |
| Screen Specs | Panasonic GH6 | Panasonic GH7 |
| Viewfinder Type | Electronic viewfinder | Electronic viewfinder |
| Viewfinder Field of View | 100% | 100% |
| Viewfinder Magnification | 0.76x | 0.8x |
| Viewfinder Resolution | 3680k dots | 3680k dots |
| LCD Framing | Live View | Live View |
| Rear LCD Size | 3.0inch | 3.0inch |
| LCD Resolution | 1840k dots | 1840k dots |
| LCD Attachment | Fully flexible screen | Fully flexible screen |
| Touch Input | Touchscreen | Touchscreen |
| Shooting Specs | Panasonic GH6 | Panasonic GH7 |
| Focus System | Contrast-detect AF | On-Sensor Phase-detect |
| Manual Focusing Aid | Focus Peaking | Focus Peaking |
| Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
| Continuous Shooting | 14 shutter flaps/s | 14 shutter flaps/s |
| Shutter Life Expectancy | 200 000 actuations | 200 000 actuations |
| Electronic Shutter | up to 1/32000s | up to 1/32000s |
| Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
| Image Stabilization | In-body stabilization | In-body stabilization |
| Fill Flash | no On-Board Flash | no On-Board Flash |
| Storage Medium | CFexB or SDXC cards | CFexB or SDXC cards |
| Single or Dual Card Slots | Dual card slots | Dual card slots |
| UHS card support | Dual UHS-II | Dual UHS-II |
| Connectivity Specs | Panasonic GH6 | Panasonic GH7 |
| External Flash | Hotshoe | Hotshoe |
| Studio Flash | PC Sync socket | PC Sync socket |
| USB Connector | USB 3.2 | USB 3.2 |
| HDMI Port | full HDMI | full HDMI |
| Microphone Port | External MIC port | External MIC port |
| Headphone Socket | Headphone port | Headphone port |
| Wifi Support | Wifi built-in | Wifi built-in |
| Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
| Body Specs | Panasonic GH6 | Panasonic GH7 |
| Environmental Sealing | Weathersealed body | Weathersealed body |
| Battery Type | Panasonic DMW-BLK22 | Panasonic DMW-BLK22 |
| Battery Life (CIPA) | 360 shots per charge | 380 shots per charge |
| In-Camera Charging | no USB charging | USB charging |
| Body Dimensions |
138 x 100 x 100 mm (5.4 x 3.9 x 3.9 in) |
138 x 100 x 100 mm (5.4 x 3.9 x 3.9 in) |
| Camera Weight | 823 g (29.0 oz) | 805 g (28.4 oz) |

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